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stole a meme from
minoanmiss, with some tweaks:
I have 57 public works on my AO3 account (discounting RBBs where I drew the art but someone else wrote the fic.) Give me a number between 1 and 57 and I'll tell you something about that numbered piece (favorite line/panel, creative process, aspect I wish I'd done differently, etc).
1 = most recently posted work, 57 = earliest posted work.
(Note: I recently posted a bunch of my old stuff in the Great Tumblr Fuckup, so some of the more recent numbers might actually be earlier works.)
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I have 57 public works on my AO3 account (discounting RBBs where I drew the art but someone else wrote the fic.) Give me a number between 1 and 57 and I'll tell you something about that numbered piece (favorite line/panel, creative process, aspect I wish I'd done differently, etc).
1 = most recently posted work, 57 = earliest posted work.
(Note: I recently posted a bunch of my old stuff in the Great Tumblr Fuckup, so some of the more recent numbers might actually be earlier works.)
no subject
Date: 2019-06-22 02:07 pm (UTC)no subject
Date: 2019-06-23 05:10 am (UTC)I'm pretty proud of the first panels with the transition from seeing the Howlies drinking with Peggy in the window, to Peggy going into the restaurant.
no subject
Date: 2019-06-23 05:31 pm (UTC)Also, I like Peggy's dress, and that she wore it for herself.
I know what you mean re: not just the Bechdel test. When I write scenes with women in it, even when it's from a woman's POV/when the woman is the narrator, I ask myself if this is about her or just a way to get information across/move the plot forward (i.e., am I passing the lampshade test?). And in some instances (e.g., when the story is m/m) it's taken me a few tries to get it right.